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James Roday talk - Février

James parle de la saison 2, de voir le tournage d'une scène alors qu'il a écris le scénario,  de ses passe-temps les voyages, sports, musique et New York, des fans et de la diffusion le vendredi soir ( A l'époque)

by: Jamie Steinberg

Q) What are the current projects that you are working on?

A) I am co-writing the first episode of season two, which we get started on at the end of March. I've decided maybe not to act again until we go back to the show. I am taking, what basically amounts to, my first vacation ever. I am taking it easy now.

Q) Please tell us what is new with your character, Shawn Spencer.

A) I think with any show, we've evolved a little bit and found our groove a little bit more. I think things my character and with Gus (Dulé Hill) are sort of coming together as a business partnership/friendship, as opposed to me doing crazy things and him just rolling his eyes. We're moving forward in that area, the both of us. It's a lot more fun. You find out a lot more about me and my dad, about why that relationship is so icy. For the most part, it's just a lot more silly silly high jinx.

Q) What made you want to be a part of the show?

A) I had a really good time reading the script! I wasn't really looking forward to jumping back into a TV series, so it kind of snuck up on me. I had a great conversation with our show creator, Steve Franks, and we really hit it off. It just seemed like a dice worth rolling.

Q) What about your role do you find challenging?

A) It's a fun role, in that it presents an opportunity to do a lot improving. The character is always thinking on his feet to find quick ways to solve problems. It sort of parallels what I get to do as an actor. The answer isn't always there so it allows me to try a whole bunch of different stuff. It's also fun to fail sometimes. That's sort of how you find out what is funny and what isn't.

Q) Does the chemistry that you have off-screen with your costars help to translate onscreen?

A) Of course! Always! Any time you get along with someone as a person it makes working with them a lot more fun!

Q) What has been your most memorable moment from filming?

A) There are many, but I would say it was an episode that is going to be airing last in this new little section, in the beginning of March. It is an episode I co-wrote and we got John Landis to come in and direct the show. I think it was the first day when I was sitting there behind the camera, watching him direct a scene that I wasn't in, with my fellow cast members basically saying my words that I realized, "Wow, I really live a charmed life!"

Q) Why do viewers keep tuning in to the show?

A) Hopefully, it is because they are laughing. That's really what we put on the table. Friday nights at 10pm, it has been a long week and when people get home I don't think they really want to think that hard at that hour. I think they want to put their feet up, maybe laugh a little bit and then go to sleep. I think that's what we deliver. I think we're a silly show that doesn't take ourselves too seriously and we give people the opportunity to giggle at these two guys running around acting like asses.

Q) Does comedic timing come natural to you or is it something that you work at?

A) I am kind of a silly a guy. I think it translates really well for this particular character. In a lot of ways, comedy is a lot me difficult than drama. It's definitely something that you have to work at. This particular character was a really good fit for me. I think it plays to a lot of my strengths, comedicly. It is a lot better fit for me than a sitcom. That's a very different comedy that you have to get down, which I probably wouldn't be nearly as good at.

Q) What do you do in your spare time?

A) I do a lot of writing and play a lot of sports. I am sort of hanging on to my jock strap as long as my body will let me. I travel and I spend a lot of time in New York. I listen to music. That's pretty much it. I'm a pretty simple guy.

Q) What would you like to say to your fans and supporters?

A) Thank you so much from the bottom of my heart! I speak for myself, the rest of the cast on the show and it's creators in saying that it is actually quite humbling to know that we have such enthusiastic fans out there. I can't think of anything that could motivate us to do what we do more than knowing that there are people out there waiting to watch our show on Fridays. We're all really excited about getting back to work and coming up with more fun stuff to give to our fans. I think it's a really special relationship. Maybe you don't get to meet every single person that enjoys your show, but it's just sort of an unspoken thing that hey, you're going to give me an hour of your time every week, I am going to give you the best that I got. Hopefully, there is a mutual appreciation there.

© Starry Constellation Magazine

Ecrit par angella 

Despite failures, Psych - Février

James évoque les personnes qui ont changer sa vie, d'un acteur, a un décés choquant dans sa famille jusqu'a Maggie...

By  Luaine Lee, McClatchy

PASADENA, Calif. — James Roday admits he's not the least bit psychic. Maybe that's not good press for the guy who stars in USA's comic cop show, "Psych," in which he plays a phony medium who bases most of his prognostications on simple observation and common sense.

"There were a couple times where I'll just get a weird premonition. I think we've all had that with a family member where you get the feeling something's not right and it turns out to be right," says Roday over lunch in a noisy restaurant here.

 

"I think that has to do with being in tune with another person, you kind of feel that energy whether they're in the same room with you or across the country. You just feel whether things are going good or bad. But I've never been able to predict anything as my record in Las Vegas sports betting will show: no psychic prowess there," he says.

Roday is so happy to be playing the cocky Shawn Spencer that he has finally forgiven himself for coming to Los Angeles in the first place.

Not looking for TV show

"I wasn't really looking to do television at all, coming off my third massive failure on television out of three," says Roday, who's dressed in a blue padded vest, ochre T-shirt and a navy baseball cap with "NY" embroidered on the front.

A former theater snob, he says, "I think a lot of actors come to L.A. -- as I did -- with a little bit of a chip on their shoulder: `I'm serious and you guys aren't. And it's hard for me to take this work seriously because it isn't Shakespeare and it isn't even Tom Stoppard. It's a sitcom.' I moved to L.A. to do a series on Fox."

When that bombed, he hung around for another, and it also suffered a short shelf life. But the actor who had been trained in New York (and survived three back-to-back versions of Chekhov's "The Three Sisters") hung in there.

Finally veteran actor Michael Rispoli (who would later play Jackie Aprile Sr. on "The Sopranos") pulled him aside. "He said, `You know, I've been watching you. You never talk to anybody, you never smile and you have this chip on your shoulder, and I know it because I had it about 25 years ago. About the best advice I can give you is get rid of it and be lucky that you're a working actor. Use every experience to gain something about your craft because there are so many people who'd give their left leg to be in your position. You can always go back and do theater, always. So just drop the `actor' and jump in and be appreciative and learn something about what we're doing.'"

The show he shared with Rispoli, "Ryan Caulfield: Year One," never made it to year one, but it taught Roday a precious lesson, as did the recent loss of his young cousin to a deadly reaction to a prescription drug.

About that he says, "I was at her wedding and then I was at her funeral. It definitely opened my eyes to a way to live life I don't think I was doing. I have to say if that hadn't happened, I honestly don't know if I would've gotten there on my own yet."

 

`In the business'

In fact, Roday -- who says he was never much interested in dating in Hollywood -- has a new love. While he won't give her name,. he reports she's "in the business."

"It's also the first time I've ever dated somebody who I can honestly say came out of a friendship first. It was one of those things for the longest time I don't think it occurred to either of us to be anything but buddies. It's been a little like a fairy tale. I'm learning how to be romantic because of it."

Roday, 30, grew up on Lackland Air Force Base in San Antonio, where his dad was in charge of VIP visitors. His mom worked in special education. An only child, Roday was lonely because new friends would come and go as their parents were reassigned.

The family left the base when he was 12. It was then that he formulated a plan to be an actor that saw him eventually graduate from New York University.

"About a month before graduation, I went to visit an agent. I was basically looking to ask which head shots she liked. We hit it off and she wanted to sign me there, and she was ready for my first audition. I was like, `Look, I still have a month of school, I have finals, I'm doing a show. I might need a month.'

Testing for a pilot

"She said, `Just do it.' It was a pilot that had been floating around NBC that they couldn't cast toward the end of pilot season. So I went in and read and a week later I was flying to L.A. and testing for a pilot -- not even knowing what that meant. But if you don't know any better, you don't know enough to be nervous. I ended up getting it, a little pilot called `Home' that never went anywhere. But we did shoot it. From that I got a little independent film in New York and another pilot that went to series.

"The bottom line is I've been very blessed. It's been wonderful and enchanting, and I thank my lucky stars every day. It's not the most popular story to tell in a roomful of actors, but I did have it pretty easy."

© Chicago Tribune

Ecrit par angella 

James Roday of PSYCH - Aout

by Al Norton



James Roday is the star of the hit USA series PSYCH. We recently got the chance to talk with him about his show, his talent for ad-libbing, and what the future holds.

TTTP: Thanks for taking the time to talk today.

JR: Thanks for being even remotely interested in talking to me.

TTTP: I don't think finding people who want to talk to you is much of an issue these days.

JR: Well, a lot of them are tied up in hospital beds and what not, so to have a healthy, upwardly mobile man makes me feel good.

TTTP: Going by the on-screen product as well as the outtakes that USA shows, is there anyone in America who has as much fun at their job as you do?

JR: I hope not, because right now we sort of live in the bubble where, because we have more fun than anyone else in the world, we feel really special. If we were to find out someone was having more fun than us, it's like the one thing that we thought we had would be taken away from us, and then I'm not really sure what we have at that point, except Canadian passports.

TTTP: Was the part on PSYCH written with you in mind?

JR: It was not written for me in particular in mind. I'm not 100% positive about this but I think Matthew Perry might have been floating around in people's minds in terms of who the prototype was. What happened for me was I had sort of sworn off television because most of the TV I was doing was pretty bad and I was starting to be pretty bad in it, and that was just not a good combination at all. I was going to go back to New York and do some theater and get my head screwed on straight – this is actor talk, by the way – and I had a movie come out called Dukes Of Hazzard, and it opened pretty well, and then all of a sudden here comes this script.. I thought, "no, I really need to take a break" but my agents, who have been really cool over the years in terms of me making decisions, they both sort of clamped down together and they were like, "no, you don't understand. You need to read this."

And of course the script read really, really funny, and I met the creator (Steve Franks), and he's a great guy and we really hit it off. It was one of those kismet things where I thought, "ahhh, maybe this is how you make good television." Maybe there is a really good feeling and everyone understands where everyone is coming from and that's how you raise the level of the product.


TTTP: Were you the first person cast? Did you read with people as the process went on?

JR: It was great. I was the first person cast, for a while, and they let me be a part of the casting process of every other role – I read with everybody – and it was a truly unique experience that way. We didn't rush; we really wanted to make sure that we got the right people for these parts, which for the pilot I think we really nailed, minus one, which these days isn't bad.

The approach to making the show was just different from anything I had been a part of before. It wasn't just herd in the cattle, pick the one that looks closest to what's on the page, sign ‘em up for six years and hope that it works out. There was actually thought put into it and chemistry was considered, all of those things you have to have to make a good show.


TTTP: I assume those differences include support of the show, in terms of marketing and things like that.

JR: Bang up job, bang up job. I had only worked on network television before, where you think that's what television is. You hope the show gets on the air and you've got about 10 minutes to become a hit, otherwise cei la vie. You go into it with the same anxiety and then you realize cable works a little differently. USA especially works a little differently; they choose their shows very carefully. They don't have a ton of pilots and they actually get behind new shows, they want them to succeed, they give you time to find your feet if you need it. The fact that we premiered so well out of the gates is just nothing that I had experienced before. It's one thing to feel like you're doing good work – that's rare enough – but then to have people tune in and watch, that's when you are really living the dream.

TTTP: What percentage of what we see on screen is improvised?

JR: That's sort of my thing; adlibbing is sort of what I do, and that's one of the things we spoke about before we started this journey together, Steve Franks and I. He was like, "Dude, I am turning you loose. As long as you respect the scripts and the stories, the rest I trust you to find what you want." I think it's a really good balance; our scripts are great blueprints, with a lot of really great jokes, and then we find stuff every single day. I don't know if I can slap a percentage on it but I can say there is a nice balance of scripted and unscripted.

TTTP: Was it hard for your co-stars to get used to that?

JR: Dule (Hill) and I had the most time together before we got started, and by the time we got rolling he was prepared that this is what is was going to be like, and he just jumped right in. He's so good on the show for so many reasons, one of which is that he gets that in order for that relationship to work, he as to be the guy with his feet on the ground. So that I can fly around and act like a fool. He totally gets that, and that's why I am able to do what I do on the show.

TTTP: Is it different when people are adlibbing off a script you wrote (Roday has written three episodes of PSYCH)? Is there any sensitivity as a writer to that or are you thinking, "this is what the show is"?

JR: Oh god, no. I encourage everybody to do what they want. Every writer sees this differently and I honestly wish more of them saw it the way that I did because I think it would make for better collaborations across the board. The script takes a life of its own and as a writer you've always got to be thinking, "you know what would be great? If these actors took this script and made it even better." And if you go in with that sort of mind set, and you're open to it, that's how true collaboration occurs. As opposed to coming in and going, "I'm a writer on television. This is one of the few mediums where I can really hold on to my work, really protect, and I can hear EVERY word that I wrote said on the screen", whether it's good or whether it's able to be improved upon or not. I think that that's the wrong approach and I think that we've broken the mold on this show. Nobody thinks they're Aaron Sorkin, no one has that opinion of themselves, and because of that we have so much fun. And the writers get in on it too; it's so great to be able to sit around and pitch new jokes on a script that for all intents and purposes you thought you were done with.

TTTP: I don't normally ask people out their personal romantic lives, but then I saw a photo shoot in TV Guide last week and figured it was ok to ask…Is it odd dating someone you work with? (Roday is currently dating co-star Maggie Lawson)

JR: You know what…the bottom line is, Dule is awesome.

TTTP: Could I have set you up for that better?

JR: You just lobbed it over, that was great…It's good…So far, so good. It certainly wasn't something that either of us planned on happening, that's for sure…It sort of happened despite all of our best efforts, so maybe that says something.

TTTP: Anything scoopish you can give me?

JR: Let's see…we're about to meet Dule's parents on the episode that will air as our Christmas special. We'll run the season, have a little break, and Monk and us both get Christmas episodes in November or December. We didn't get one last year, so we're playing with the big boys now.

TTTP: Monk did a black and white episode for Christmas last year, I think.


JR: Yes, and I think they showed a rerun of Law And Order after...We've reached that point where we can start looking deeper into our characters lives while still being a serialized show. As actors especially, you do want to start poking around and opening up some of those doors.


© 411 Mania

Ecrit par angella 
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